The object that outlived the person
Write twelve lines about a possession that stayed behind. No abstract nouns for feeling — let the object carry it.
Writing alone works better with a deadline and a room. Here is the shared calendar: a prompt every week, a form challenge every month, and a reading circle working through the library.
Write twelve lines about a possession that stayed behind. No abstract nouns for feeling — let the object carry it.
One grammatical sentence, at least eight lines, broken so that each line could almost stand alone.
Take 'time heals' and prove it wrong in a haiku. Seventeen syllables, no argument, one image.
Fourteen lines, volta at line nine, and a couplet that changes jurisdiction rather than summarising.
One perception per day, recorded within an hour of noticing it. No revision until day eleven.
A poem with a repeated line that means something different each time it returns.
A three-session reading circle on the elegy form, from Gray's 'Elegy Written in a Country Churchyard' to contemporary examples.
Bring a poem in a language you don't write in. Work in pairs to produce a translation that honours both the original and the English.
Four weeks on chapbook and first-book structure: how to order poems, how to title, how to submit to journals.
We read one poem from the library each week and discuss it against the analysis published here — agreeing with it is optional and disagreeing is more useful.
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